…Photographing in the Blarney Stone presents some crazy lighting challenges. I have in some cases opted for flash (mainly if people want the occasional portrait group shot) but 99% of the time I’m using the existing lighting that is there… and there HAS to be lighting or else… well, how are you going to see the band? Haha. I’ve opted for very fast lenses and shooting at much higher ISO’s (like 1600 or 3200 sometimes), but I’ve found that the best technique is waiting for the rotating strobe lights to illuminate the person at the right time. My style of documentary photographer isn’t simply just blasting away frames with no consideration. I concentrate, wait for the composition, observe, breathe, move to a different angle if I’m getting nothing, feel the flow of the music, observe the rhythm of the strobe lights (they tend to operate in set sequences) and wait for it all to light up and then… click, click click! …..